Towards the end of Adrienne Shelley's poignant "Waitress" there is a scene involving a very pregnant Jenna ( a luminous Kari Russell) and Dr. Pomatter (Nathan Fillion) in which, as described by Jenna in voice-over, Pomatter embraces Jenna for 20 minutes with warmth, caring and empathy and more importantly for Jenna without a hint of lust. It's the kind of embrace that an intimate friend would give you: an embrace of platonic love, an embrace of understanding and commiseration. It is also an embrace which pretty much encapsulates all that is good and real about "Waitress": a film that is ultimately about hope and love and the redemptive properties of Pie.
Though often bordering on the sitcomishness of "Alice," Adrienne Shelley's ("Trust") "Waitress" manages for the most part to get at the heart of its concerns with humor and a good hearted wistfulness that never turns sour or maudlin: terms that can also be applied to Kari Russell's career making performance as Jenna.
"Waitress" is sly, smart and level headed. It is not always driven by anything resembling common sense but instead by those things that cling closer to the human heart like understanding and a very basic and profound humanity.